Why work with us?

The renovation project is a successful example of energy renovation of a damaged and dilapidated structural modernist architecture from the late 1970s, which had great heritage potential. Fortunately, with multidisciplinary professional cooperation, it was possible to preserve it with a reconstruction intervention that restored the authenticity of the original design by architects Borut Pečenko, Drago Klemenčič and Branko Kraševec.

Remote sensing methods such as airborne laser scanning show time and again that the landscape is nowhere empty, everywhere full of traces of past human activity. This multitude of traces presents us with the challenge of how to protect them.
human activities of the past. This multitude of traces presents us with the challenge of how to protect them.

In 2019, an intervention was carried out to record a 1953 print by the painter Maks Kavčič, which was threatened with destruction due to the demolition of the former Trbovlje Machine-Building Factory, and in 2022 the artwork was presented on a new support in the lobby of the Trbovlje Workers' Home.

In 2022, the deteriorated roofing was replaced and its unplastered exterior was restored by cleaning and refilling the gaps between the stone blocks with lime mortar. In the next few weeks, the joinery will be replaced - windows and doors, etc. In 2024, the renovation of the former baptistery will be completed with the presentation of the interior and will thus be included in the ceremonies to be held on the occasion of the 1500th anniversary of the Diocese of Koper.

The Slovenian Institute for the Protection of Culture is actively engaged in a comprehensive set of identification, documentation, study, evaluation and interpretation of the salt pans heritage at several levels. Through fieldwork, the study of material and non-material sources, and cooperation with cultural heritage stakeholders, we pursue the goal of preserving and revitalising the centuries-old heritage of salt pans and salt pans.

Žiče Carthusian Monastery is an exceptional monument of monastic architecture that transcends the Slovenian landscape. Its architectural fabric preserves all the main stylistic periods of European art. Its architectural, symbolic, historical, archaeological and landscape values make it of exceptional importance for the country, which is why it was declared a cultural monument of national importance in 2015.

The renovation has integrated the park areas of Rafutski Park into a coherent whole and transformed them into a public urban park. All the preserved and authentic elements in the park were cleaned and rehabilitated: the preserved mulches, the drainage elements, the steps of the walkway to the Laščak Villa, the rest areas and the retaining walls with reliefs.

Excellent international cooperation has led the Research Institute (RI) to partner in the E-RHIS project - European Research Infrastructure for Heritage Science ( www.e-rihs.eu ). In the framework of the IPERION HS project, we have provided access to research to five projects.

The results of the excavations exceeded expectations, as the archaeological remains were very well preserved from a depth of 0.70 to 3.30 metres. The oldest layers date back to before the foundation of Emona, when the area was used by Roman soldiers. The protective excavations of the SNG Drama have yielded exceptional data in the area of the eminent space of the city of Emona, north of the Forum, Roman built heritage and fine material culture.

Documents of past restoration work, natural history investigations and probing of the darkened layers made it clear that there were two colourfully painted motifs under the darkness. The removal of the darkened varnish was one of the most challenging interventions in terms of ethics, aesthetics and conservation and restoration technology, and was successfully completed in 2018. The newly framed paintings will enrich the art decoration of the Cathedral Church in Koper. 

The restoration of the street façade of the 1920s business and residential palace of the branch of the First Croatian House in Zagreb at 7 Beethovnov Street/Cankarjeva Street 8 in Ljubljana, with its Late Art Nouveau façade, presented a major challenge to the conservation profession. Given the strength of the original materials and the good state of preservation, and based on sample experiments, we decided to clean the façade by sandblasting with a soft medium (Ibix Art Garnet extra fine) and the cleaning result was excellent.

In the planning process of the redevelopment of the former Rog factory, the integration of the degraded area into the public urban life and the connection of the area with its surroundings, as well as the comprehensive renovation of the factory building, preserving its cultural and conservation values, were essential starting points. After the renovation, the building still expresses its industrial character with its typical large coffered windows and unpainted plasterwork made of prolonged mortar.

Between 2018 and 2022, under the direction of Martina Lesar Kikelj, an extremely extensive and technically demanding project was carried out on the ceiling painting at the top of the staircase of the Gruber Palace.
Gruber Palace is an art historical monument, as its interior contains works of art of outstanding importance for both Slovenian and European art.

In January 2019, when a skilled technical team removed the painting from the wall of the Cathedral of Koper, our team began a period of daily procedures, from removing non-original layers, puttying and retouching to the final varnishing of the painting.

In 2023, the complete renovation of the Gravisi Tiepolo Palace was completed. Kreljeva 6 (Koper) was named after its owners as the Gravisi Tiepolo Palace, the Baseggio Palace and also as the Fighting House. The last name is most likely derived from the activity, as only oral sources can link the palace to the sabre practice hall. There is no doubt that the present palace in Kreljeva Street is an exceptional piece of architecture, unfortunately its garden component is no longer extant, but the building is a testimony to the residential culture of the upper Venetian bourgeoisie of the 17th and 18th centuries.